The Stud (film)
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For the queer bar, please see The Stud (bar).
|Directed by||Quentin Masters|
|Produced by||Ron Kass|
|Written by||Dave Humphries|
|Based on||The Stud (novel)|
by Jackie Collins
|Music by||Biddu (original score)|
|Distributed by||Brent Walker Film Distributing|
|30 April 1978 (UK)|
28 September 1979 (U.S.)
|Box office||$20 million|
Joan had asked her sister Jackie for the film rights for free and Jackie agreed whilst contributing to the screenplay. Joan met producer Brent Walker at the Cannes Film festival in 1977. He became excited by the project as it was proposed as a British alternative to Saturday Night Fever. Both Joan Collins' husband, Ron Kass, and Jackie Collins' husband, Oscar Lerhman, also acted as producers on the project.
Fontaine Khaled (Joan Collins) is the London wife of a wealthy Arab businessman. She spends his money on her nightclub, Hobo, and partying. She hires a handsome manager, Tony (Oliver Tobias), to run her club, but it is understood that his job security is dependent on his satisfying her nymphomaniac demands. Tony loses interest in Fontaine, as she treats him like a plaything, and turns his attention to her young stepdaughter Alexandra Khaled (Emma Jacobs), who uses him to get back at Fontaine after she discovers a video tape of Fontaine and Tony having sex in the Khaleds' private elevator, essentially cheating on her father. Fontaine then dumps Tony and is divorced by her husband for adultery.
The film helped to revitalise Joan Collins' career and she credits The Stud and its sequel The Bitch (1979) with bringing her to the attention of Aaron Spelling and Esther Shapiro, the producers of Dynasty in 1981. However, Tobias later claimed that his part in the film led to typecasting and ruined his career.
A successful soundtrack album was released to tie-in with the film. The album contained twenty tracks, including original material penned by Biddu specifically for the film, as well as a number of major British chart hits which were licensed for use in the film. The majority of the tracks were disco flavoured, although some non-disco tracks were also included. The album rose to number 2 on the UK albums chart, kept off the top spot by the Saturday Night Fever soundtrack album. Tracks featured in the film and on the album included:
- Gritten, David (26 November 1979). "Imperfect Past Behind Her, Joan Collins Says She Likes Turning Homebody". People. Retrieved 13 March 2018.
- Harper, Sue (2011). British Film Culture in the 1970s: The Boundaries of Pleasure: The Boundaries of Pleasure. Edinburgh University Press. p. 273. ISBN 9780748654260.
- "Week ending 27-05-1978". Official Charts Company. Retrieved 16 August 2011.
- Simon Sheridan Keeping the British End Up: Four Decades of Saucy Cinema, Titan Books (fourth edition, 2011)