The Heretics is a feature-length, documentary film written and directed by Joan Braderman and distributed by Women Make Movies. It focuses on a group of New York-based feminist artists called the Heresies Collective, and their influential art journal, Heresies: A Feminist Publication on Art and Politics, which was published from 1977 to 1992.
|Directed by||Joan Braderman|
|Produced by||Crescent Diamond|
|Written by||Joan Braderman|
|Narrated by||Joan Braderman|
|Music by||June Millington|
|Distributed by||Women Make Movies|
|October 9, 2009|
The Heretics is a semi-autobiographical documentary, following Braderman's first-person account of her arrival in New York City in 1971 and her introduction to the arts culture of Lower Manhattan. This narrative becomes a framing device for the bulk of the film, which consists of intimate interviews with former Heresies Collective members, documenting their involvement with Heresies: A Feminist Publication on Art and Politics and exploring feminism in the art world during the height of the second wave women’s movement, as well as in modern times. The titles of both the magazine and film were inspired by the credo, "new truths begin as heresies."
The Heretics incorporates interview footage shot in 24p mini-dv video with still images, 3D animation, archival footage, and staged scenes where young actresses play the roles of collective members. The aesthetic of the film has been described as "radical collage," evoking both the original magazine as well as Braderman's early video art.
June Millington, a so-called “Godmother of Women's Music,” provided an original soundtrack, in collaboration with her nephew, Lee Madeloni. When Millington, who said the Heresies magazine "was in every hip loft and living space I stayed at," heard the film was in post-production, she tracked down Braderman in her studio, watched the rough-cut for 10 minutes, and said, "all of your music needs were just resolved."
The former collective members featured in the film include Emma Amos, Ida Applebroog, Mary Beth Edelson, Su Friedrich, Janet Froelich, Harmony Hammond, Joyce Kozloff, Lucy Lippard, Amy Sillman, Susana Torre, Cecelia Vecunia, and Nina Yankowitz.
The Heretics was well-received by press such as The New York Times, which said the film "gives a joyful sense of what it was like to be a feminist in the 1970s." Ariel Dougherty said in On The Issues Magazine, "Thanks to Braderman and her savvy crew, in The Heretics, we have a compelling powerhouse example of feminism’s creative force."
Some reviewers criticized the film's nostalgia, while others such as Aaron Cutler from Slant Magazine, accused The Heretics of vagueness, saying the film produces "general statements about how hard it is for women to succeed in a man’s world."
- Saltz, Rachel. "Art in an Era of Consciousness Raising". The New York Times. Retrieved 18 May 2018.
- Jonathan, Rickman. "Art Expansion: Joan Braderman on 'The Heretics'". The Washington Post. Retrieved 18 May 2018.
- Halter, Ed. "Women's Work: Ed Halter on The Heritics". Artforum International. Retrieved 18 May 2018.
- Hoffman, Lyz. "The Heretics Documentary Film Explores Lives and Personalities Behind Influential Women's Movement Magazine". Santa Barbara Independent. Retrieved 18 May 2018.
- "The Heretics" (PDF). Women Make Movies. Retrieved 18 May 2018.
- Wilbur, Roy. "Joan Braderman: Feminist, Artists, Activist!". Moore Women Artists. Retrieved 18 May 2018.
- Jodie Taylor, Playing it Queer: Popular Music, Identity and Queer World-making Playing it Queer: Popular Music, Identity and Queer World-making (Peter Lang, 2012):158.
- "The Heretics: June Millington". Retrieved 18 May 2018.
- "The Heretics: The Women". Retrieved 18 May 2018.
- "MoMA Presents: Joan Braderman's The Heretics". Museum of Modern Art.
- Dougherty, Ariel. ""The Heretics": Film Invigorates Feminism, Art, Politics" (PDF). On the Issues. Retrieved 18 May 2018.
- Anderson, Melissa. "Second-Wave Feminists Define an Era in The Heretics". The Village Voice. Retrieved 1 June 2018.
- Cutler, Aaron. "The Heretics". Slant Magazine. Retrieved 18 May 2018.