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Damnatio memoriae is a modern Latin phrase meaning "condemnation of memory", indicating that a person is to be excluded from official accounts. There are and have been many routes to damnatio, including the destruction of depictions, the removal of names from inscriptions and documents, and even large-scale rewritings of history. The term can be applied to other instances of official scrubbing; the practice is seen as long ago as the reign of the Egyptian pharaoh Hatshepsut in the fourteenth century BC.
In Latin, the term damnatio memoriae was not used by the ancient Romans. The first appearance of the phrase is in a dissertation written in Germany in 1689. The term is used in modern scholarship to cover a wide array of official and unofficial sanctions whereby the physical remnants of a deceased individual were destroyed to differing degrees, and even saying the name was punishable.
By design, evidence of this practice is scarce. One example of damnatio memoriae, or oblivion, as a punishment was meted out by the peoples of Ephesus after Herostratus set fire to the Temple of Artemis, one of the Seven Wonders of antiquity. The Romans, who viewed it as a punishment worse than death, adopted this practice. Felons would be erased from history for the crimes they had committed.
The sense of the expression damnatio memoriae and of the sanction is to cancel every trace of the person from the life of Rome, as if they had never existed, in order to preserve the honour of the city. In a city that stressed social appearance, respectability, and the pride of being a true Roman as a fundamental requirement of the citizen, it was perhaps the severest punishment.
In ancient Roman society, "a Roman's house was perceived as an extension of the self, signalling to divine protectors and social and genealogical status to the world outside." Similarly, just as the domus would have been seen as an extension of the self, memory was thought of as one of the best ways to understand the self. In a society without much written documentation, memory training was a big part of Roman education. Orators, leaders, and poets alike used memory training devices or memory palaces to help give speeches or tell long epic poems. In The Natural History, Pliny writes:
It would be far from easy to pronounce what person has been the most remarkable for the excellence of his memory, that blessing so essential for the enjoyment of life, there being so many that were celebrated for it. King Cyrus knew all the soldiers of his army by name: L. Scipio the names of all the Roman people.
Memory palaces provided an aid for remembering certain key ideas. By assigning locations in their homes for different ideas, poets or the like could walk back and forth through their house, recalling ideas with every step. Memory training often involved assigning ideas to wall paintings, floor mosaics, and sculptures that adorned many ancient Roman homes. The punishment of damnatio memoriae involved altering the rooms, many times destroying or tampering with the art in their homes as well, so the house would no longer be identifiable as the perpetrator's home. This would in turn, erase the perpetrator's very existence.
In ancient Rome, the practice of damnatio memoriae was the condemnation of Roman elites and emperors after their deaths. If the senate or a later emperor did not like the acts of an individual, they could have his property seized, his name erased and his statues reworked. Because there is an economic incentive to seize property and rework statues, historians and archaeologists have had difficulty determining when official damnatio memoriae actually took place, although it seems to have been quite rare.
Compounding this difficulty is the fact that a completely successful damnatio memoriae results – by definition – in the full and total erasure of the subject from the historical record. In actual practice however it is unlikely that such complete success was possible except in cases where the individual in question was of limited contemporary notability, as even comprehensive obliteration of the person's existence and actions in records and the like would continue to be historically visible without extensive reworking. The impracticality of such a cover-up could be vast – in the case of Emperor Geta, for example, it appears that coins bearing his effigy continued to circulate for years after his condemnation, even though the mere mention of his name was punishable by death.
Difficulties in implementation also arose if there was not full and enduring agreement with the punishment, such as when the senate's condemnation of Nero was implemented – leading to attacks on many of his statues – but subsequently evaded with the enormous funeral he was given by Vitellius. Similarly, there was little to prevent historians later "resurrecting" the memory of the sanctioned person.
While extreme damnatio memoriae is not carried out in modern times—naming or writing about a person fallen from favour is not subject to formal punishment—less total examples of damnatio memoriae in modern times include the removal of statues of Stalin and other Communist leaders in the former Soviet Union. Ukraine successfully dismantled all 1,320 statues of Lenin after its independence, as well as renaming roads and structures named under Soviet authority.
In the United States, the monument for the Battle of Saratoga has a blank niche where Benedict Arnold's name is missing from the list of victorious generals. Various other Revolutionary War monuments either omit his name or, in the case of West Point, anonymously list only his rank and date of birth.
Looking at cases of damnatio memoriae in modern Irish history, Guy Beiner has argued that iconoclastic vandalism entails subtle expressions of ambiguous remembrance and that, rather than effacing memory, such acts of decommemorating effectively preserve memory in obscure forms.
- 1984 (1949), Orwell's novel
- Censorship in North Korea
- Censorship of images in the Soviet Union
- Crisis of the Roman Republic
- Execration texts
- Forced disappearance
- List of Roman emperors to be condemned
- List of tombs of antipopes
- Memory hole
- Persona non grata
- Yimakh shemo
- Eric R. Varner (2004). Monumenta Graeca et Romana: Mutilation and transformation : damnatio memoriae and Roman imperial portraiture. BRILL. p. 2.
- Elise A. Friedland; Melanie Grunow Sobocinski; Elaine K. Gazda. The Oxford Handbook of Roman Sculpture. Oxford. p. 669.
- Bergmann, Bettina (June 1994). "The Roman House as Memory Theater: The House of the Tragic Poet in Pompeii". The Art Bulletin. 76 (2): 225–256. doi:10.2307/3046021. ISSN 0004-3079. JSTOR 3046021.
- "Geta: The One Who Died". Archived from the original on December 3, 2010.
- Russell, Miles; Manley, Harry (2013). "Finding Nero: shining a new light on Romano-British sculpture". Internet Archaeology (32). doi:10.11141/ia.32.5.
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- Groark, Virginia (April 21, 2002). "Beloved Hero and Despised Traitor" – via NYTimes.com.
- Yusko, Dennis; Union, Copyright 2001 Albany Times (June 17, 2001). "Infamous Benedict Arnold finally gets some respect". Houston Chronicle.
- Gerard, Bonnie. "Damnatio Memoriae in China: Zhao Ziyang Is Laid to Rest". thediplomat.com. The Diplomat. Retrieved November 15, 2019.
- Guy Beiner, Remembering the Year of the French: Irish Folk History and Social Memory (University of Wisconsin Press, 2007), p. 305.
- Guy Beiner, Forgetful Remembrance: Social Forgetting and Vernacular Historiography of a Rebellion in Ulster (Oxford University Press, 2018), pp. 369–384.