Black Metropolis: A Study of Negro Life in a Northern City, authored by St. Clair Drake and Horace R. Cayton, Jr., is an anthropological and sociological study of the African-American urban experience in the first half of the 20th century. Published in 1945, later expanded editions added some material relating to the 1950s and 1960s. Relying on massive research conducted in Chicago, primarily as part of a Works Progress Administration program, Drake and Cayton produced, according to the Encyclopedia of African American History, a "foundational text in African American history, cultural studies, and urban sociology."
|Authors||St Clair Drake, and Horace Cayton|
|Publisher||Harcourt, Brace and Company|
|Followed by||updated and expanded editions|
The original text begins with an introduction by novelist Richard Wright in which he relates some of the research to the themes of his work, particularly the novel, Native Son. The preface of the book, authored by Drake and Cayton, provides an overview of the Black Metropolis. The first section of the book then sketches the history of African-Americans in Chicago, up to the early years of the Great Migration, when millions of African-Americans left the Southern United States for Northern cities.
The book continues with explorations of the forces which created the separate Black Metropolis, and how the community related to the wider city. Chapters include "Breaking the Job Ceiling", "Black Workers and the New Unions", and "Democracy and Political Expediency", in which the power politics of the newly dynamic community over the wider society is explored. The book continues with a detailed portrait on the life of the community in such chapters as "The Power of the Press and the Pulpit", "Negro Business", and separate chapters on the upper, middle and lower classes of the community. The authors identify five overwhelming concerns of the entirety of the community—"staying alive, having a good time, praising God, getting ahead, and advancing the race." The final section of the book is a note by sociology professor W. Lloyd Warner on the book's methodology.
The book had its origins in a research project conceived by Warner at the University of Chicago with assistance from Cayton. With eventual government and other funding, twenty graduate students between 1935 and 1940, including Drake, worked as primary researchers. As many as 200 were employed as investigators, typists, and copyists of various field reports. Cayton was familiar with the high society of the respectable, and not-so-respectable, black elite. While Drake became intimately familiar with various voluntary organizations, working, and lower class elements. After the project was completed, Warner thought it might be turned into a book for the university's academic press, but Cayton thought it would get a wider readership with a commercial publisher. Drake wrote most chapters of the book, while Cayton produced the remainder, and Warner, Cayton, and Drake acted as reviewers and editors. The publisher Harcourt, Brace and Company wanted Wright for the introduction, and Cayton, who knew Wright, was able to get him.
In the American Sociological Review, Samuel Strong wrote, "[t]he style of the volume alternates between systematic analysis, literary excursions, and journalistic protest writing. In spite of any critical observations one may direct against this book, it represents a real contribution to the literature. ..." The reviewer for The Journal of Politics, Rosalind Lepawsky, noted the breadth of the book but found it confusing, and thought it was missing an emphasis on psychology and would benefit from a more popular treatment. Carter Woodson, writing in The Journal of Negro History, found the book a creditworthy and commendable effort. 
Aimee Merideth in her 2015 study of a group black girls in Detroit, states that although she was not interested in critiquing Black Metropolis, she denotes it as beginning a trend in urban sociology of focusing on the success of black men, and excluding black women. She also argues that the ideas of 'success' assumed in Black Metropolis for "advancing the race" are primarily economic and class based.[page needed]
- "Black Metropolis". University of Chicago Press. 6 December 2015. Retrieved February 11, 2016.
- Rosa, A. J. (2012). The Roots and Routes of 'Imperium in Imperio': St. Clair Drake, The Formative Years. American Studies 52(1), 49–75. Mid-American Studies Association. Retrieved February 12, 2016, from Project MUSE database.
- Spatz, David A. (2009). "Drake, St. Clair". In Finkelman, Paul (ed.). Encyclopedia of African American History (1896–present). 2. Oxford University Press. p. 90.
- Strong, S. M. (1946). Review of Black Metropolis. American Sociological Review, 11(2), 240–241.
- Peretz, H. (2004). "The Making of Black Metropolis", The Annals of the American Academy of Political and Social Science, 595, 168–175.
- "Formats and Editions of Black metropolis : a study of Negro life in a northern city [WorldCat.org]". worldcat.org. Retrieved February 15, 2016.
- Lepawsky, Rosalind (1946), Review of Black Metropolis, A Study of Negro Life in a Northern City. The Journal of Politics, 8 (4). Southern Political Science Association: 565–67.
- Woodson, C. G. (1946) Review of Black Metropolis: A Study of Negro Life in a Northern City. The Journal of Negro History, 31(1), 113–116.
- Cox, Aimee Meredith (2015). Shapeshifters: Black Girls and the Choreography of Citizenship. Durham, London: Duke University Press. ISBN 978-0-8223-5931-9.
- "Anisfield-Wolf Book Awards - Black Metropolis". Anisfield-Wolf Book Awards - The 80th Annual. Retrieved February 26, 2016.