An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work (still frequently seen in Sacred Harp and other types of shape note singing) and still more particularly to a specific form of liturgical music. In this sense, its use began ca. 1550 in English-speaking churches; it uses English language words, in contrast to the originally Roman Catholic 'motet' which sets a Latin text.
Anthems were originally a form of liturgical music. In the Church of England, the rubric appoints them to follow the third collect at morning and evening prayer. Several anthems are included in the British coronation service. The words are selected from Holy Scripture or in some cases from the Liturgy and the music is generally more elaborate and varied than that of psalm or hymn tunes. Being written for a trained choir rather than the congregation, the Anglican anthem is analogous to the motet of the Catholic and Lutheran Churches but represents an essentially English musical form. Anthems may be described as "verse", "full", or "full with verse", depending on whether they are intended for soloists, the full choir, or both. Another way of describing an anthem is that it is a piece of music written specifically to fit a certain accompanying text, and it is often difficult to make any other text fit that same melodic arrangement. It also often changes melody and/or meter, frequently multiple times within a single song, and is sung straight through from start to finish, without repeating the melody for following verses like a normal song (although certain sections may be repeated when marked). An example of an anthem with multiple meter shifts a, fuguing, and repeated sections is "Claremont", or "Vital Spark of Heav'nly Flame". Another well known example is William Billing's "Easter Anthem", also known as "The Lord Is Risen Indeed!" after the opening lines. This anthem is still one of the more popular songs in the Sacred harp tune book.
Notable composers of liturgical anthems: historic contextEdit
During the Elizabethan period, notable anthems were composed by Thomas Tallis, William Byrd, Tye, and Farrant but they were not mentioned in the Book of Common Prayer until 1662 when the famous rubric "In quires and places where they sing here followeth the Anthem" first appears. Early anthems tended to be simple and homophonic in texture, so that the words could be clearly heard. During the 17th century, notable anthems were composed by Orlando Gibbons, Henry Purcell, and John Blow, with the verse anthem becoming the dominant musical form of the Restoration. In the 18th century, famed anthems were composed by Croft, Boyce, James Kent, James Nares, Benjamin Cooke, and Samuel Arnold. In the 19th, Samuel Sebastian Wesley wrote anthems influenced by contemporary oratorio which stretch to several movements and last twenty minutes or longer. Later in the century, Charles Villiers Stanford used symphonic techniques to produce a more concise and unified structure. Many anthems have been composed since this time, generally by organists rather than professional composers and often in a conservative style. Major composers have usually composed anthems in response to commissions and for special occasions. Examples include Edward Elgar's 1912 "Great is the Lord" and 1914 "Give unto the Lord" (both with orchestral accompaniment), Benjamin Britten's 1943 "Rejoice in the Lamb" (a modern example of a multi-movement anthem, today heard mainly as a concert piece), and, on a much smaller scale, Ralph Vaughan Williams's 1952 "O Taste and See" written for the coronation of Queen Elizabeth II. With the relaxation of the rule, in England at least, that anthems should be only in English, the repertoire has been greatly enhanced by the addition of many works from the Latin repertoire.
The word "anthem" is commonly used to describe any celebratory song or composition for a distinct group, as in national anthems. Many pop songs are used as sports anthems, notably including Queen's "We Are the Champions" and "We Will Rock You", and some sporting events have their own anthems, most notably including UEFA Champions League. Further, some songs are artistically styled as anthems, whether or not they are used as such, including Marilyn Manson's "Irresponsible Hate Anthem", Silverchair's "Anthem for the Year 2000", and Toto's "Child's Anthem".
A national anthem (also state anthem, national hymn, national song, etc.) is generally a patriotic musical composition that evokes and eulogizes the history, traditions, and struggles of a country's people, recognized either by that state's government as the official national song, or by convention through use by the people. The majority of national anthems are marches or hymns in style. The countries of Latin America, Central Asia, and Europe tend towards more ornate and operatic pieces, while those in the Middle East, Oceania, Africa, and the Caribbean use a more simplistic fanfare. Some countries that are devolved into multiple constituent states have their own official musical compositions for them (such as with the United Kingdom, Russian Federation, and the former Soviet Union); their constituencies' songs are sometimes referred to as national anthems even though they are not sovereign states.
A flag anthem is generally a patriotic musical composition that extols and praises a flag, typically one of a country, in which case it is sometimes called a national flag anthem. It is often either sung or performed during or immediately before the raising or lowering of a flag during a ceremony. Most countries use their respective national anthems or some other patriotic song for this purpose. However, some countries, particularly in South America, use a discrete flag anthem for such purposes. Not all countries have flag anthems. Some used them in the past but no longer do, such as Iran, China, and South Africa. Flag anthems can be officially codified in law, or unofficially recognized as such through mere custom and convention. In some countries, the flag anthem may be just another song, and in others, it may be an official symbol of the state akin to a second national anthem, such as in Taiwan.
Although anthems are used to distinguish states and territories, there are instances of shared anthems. "Nkosi Sikelel' iAfrika" became a pan-African liberation anthem and was later adopted as the national anthem of five countries in Africa including Zambia, Tanzania, Namibia and Zimbabwe after independence. Zimbabwe and Namibia have since adopted new national anthems. Since 1997, the South African national anthem has been a hybrid song combining new English lyrics with extracts of "Nkosi Sikelel' iAfrika" and the former state anthem "Die Stem van Suid-Afrika".
"Hymn to Liberty" is the longest national anthem in the world by length of text. In 1865, the first three stanzas and later the first two officially became the national anthem of Greece and later also that of the Republic of Cyprus.
"Forged from the Love of Liberty" was composed as the national anthem for the short-lived West Indies Federation (1958–1962) and was adopted by Trinidad and Tobago when it became independent in 1962.
"Oben am jungen Rhein", national anthem of Liechtenstein is set to the tune of "God Save the Queen". Other anthems that have used the same melody include "Heil dir im Siegerkranz", "Kongesangen", "My Country, 'Tis of Thee", "Rufst du, mein Vaterland", "E Ola Ke Alii Ke Akua", and "The Prayer of Russians"F.
The Estonian anthem "Mu isamaa, mu õnn ja rõõm" is set to a melody composed in 1848 by Fredrik (Friedrich) Pacius which is also that of the national anthem of Finland: "Maamme" ("Vårt Land" in Swedish). It is also considered to be ethnic anthem for the Livonian people with lyrics "Min izāmō, min sindimō" ("My Fatherland, my native land").
"Hey, Slavs" is dedicated to Slavic peoples. Its first lyrics were written in 1834 under the title "Hey, Slovaks" ("Hej, Slováci") by Samuel Tomášik and it has since served as the ethnic anthem of the Pan-Slavic movement, the organizational anthem of the Sokol physical education and political movement, the national anthem of Yugoslavia and the transitional anthem of the State Union of Serbia and Montenegro. The song is also considered to be the second, unofficial anthem of the Slovaks. Its melody is based on Mazurek Dąbrowskiego, which has been also the anthem of Poland since 1926, but the Yugoslav variation is much slower and more accentuated.
Between 1991 and 1994 "Deșteaptă-te, române!" was the national anthem of both Romania (which adopted it in 1990) and Moldova, but in the case of the latter was replaced by the current Moldovan national anthem, "Limba noastră".
The "Hymn of the Soviet Union",[c] used until its dissolution in 1991, which was given new words and adopted by the Russian Federation in 2000 to replace an instrumental national anthem that had been introduced in 1990.
"Bro Gozh ma Zadoù", the regional anthem of Brittany and, "Bro Goth Agan Tasow", the Cornish regional anthem, are sung to the same tune as that of the Welsh regional anthem "Hen Wlad Fy Nhadau", with similar words.
For parts of statesEdit
Some countries, such as the former Soviet Union, Spain, and the United Kingdom, among others, are held to be unions of several "nations" by various definitions. Each of the different "nations" may have their own (regional) anthem and these songs may or may not be officially recognized; these compositions are typically referred to as regional anthems though may be known by other names as well (e.g. "state songs" in the United States).
In Austria, the situation is similar to that in Germany. The regional anthem of Upper Austria, the "Hoamatgsang" (English: "Chant of the Homeland"), is notable in the way that it is the only (official) German-language anthem written – and sung – entirely in dialect.
The Canadian province of Newfoundland and Labrador, having been the independent Dominion of Newfoundland before 1949, also has its own regional anthem from its days as a dominion and colony of the UK, the "Ode to Newfoundland". It was the only Canadian province with its own anthem until 2010, when Prince Edward Island adopted the 1908 song "The Island Hymn" as its provincial anthem.
Czechoslovakia had a national anthem composed of two parts, the Czech regional anthem followed by one verse of the Slovak one. After the dissolution of Czechoslovakia, the Czech Republic adopted its own regional anthem as its national one, whereas Slovakia did so with slightly changed lyrics and an additional stanza.
In Germany, many of the Länder have their own anthems, some of which predate the unification of Germany in 1871. A prominent example is the Hymn of Bavaria, which also has the status of an official anthem (and thus enjoys legal protection). There are also several unofficial regional anthems, like the "Badnerlied" or the "Niedersachsenlied".
All the individual states of Malaysia have their own regional anthems.
In Mexico, after the national anthem was established in 1854, most of the states of the federation adopted their own regional anthems, which often emphasize heroes, virtues or particular landscapes. In particular, the regional anthem of Zacatecas, the "Marcha de Zacatecas", is one of the more well-known of Mexico's various regional anthems.
Serbia and MontenegroEdit
In 2005 and 2004 respectively, the Serbian and Montenegrin regions of Serbia and Montenegro adopted their own regional anthems. When the two regions both became independent countries in mid-2006, their regional anthems became their national ones.
Fourteen of the fifteen constituent states of the Soviet Union had their own official song which was used at events connected to that region, and also written and sung in that region's own language. The Russian Soviet Federative Socialist Republic used the Soviet Union's national anthem as its regional anthem ("The Internationale" from 1917 to 1944 and the "National Anthem of the Soviet Union" from 1944 to 1990) until 1990, the last of the Soviet constituent states to do so. After the Soviet Union disbanded in the early 1990s, some of its former constituent states, now sovereign nations in their own right, retained the melodies of their old Soviet-era regional anthems until replacing them or, in some cases, still use them today.
Unlike most national anthems, few of which were composed by renowned composers, the Soviet Union's various regional anthems were composed by some of the best Soviet composers, including world-renowned Gustav Ernesaks (Estonia), Aram Khachaturian (Armenia), Otar Taktakishvili (Georgia), and Uzeyir Hajibeyov (Azerbaijan).
The lyrics present great similarities, all having mentions to Vladimir Lenin (and most, in their initial versions, to Joseph Stalin, the Armenian and Uzbek anthems being exceptions), to the guiding role of the Communist Party of the Soviet Union, and to the brotherhood of the Soviet peoples, including a specific reference to the friendship of the Russian people (the Estonian, Georgian and Karelo-Finnish anthems were apparently an exception to this last rule).
Some of the Soviet regional anthems' melodies can be sung in the Soviet Union anthem lyrics (Ukrainian and Belarus are the most fitted in this case).
Most of these regional anthems were replaced with new national ones during or after the dissolution of the Soviet Union; Belarus, Kazakhstan (until 2006), Tajikistan, Turkmenistan (until 1997), and Uzbekistan kept the melodies, but with different lyrics. Russia itself had abandoned the Soviet hymn, replacing it with a tune by Glinka. However, with Vladimir Putin coming to power, the old Soviet tune was restored, with new lyrics written to it.
Like the hammer and sickle and red star, the public performance of the anthems of the Soviet Union's various regional anthems the national anthem of the Soviet Union itself are considered as occupation symbols as well as symbols of totalitarianism and state terror by several countries formerly either members of or occupied by the Soviet Union. Accordingly, Latvia, Lithuania, Hungary, and Ukraine have banned those anthems amongst other things deemed to be symbols of fascism, socialism, communism, and the Soviet Union and its republics. In Poland, dissemination of items which are “media of fascist, communist, or other totalitarian symbolism” was criminalized in 1997. However, in 2011 the Constitutional Tribunal found this sanction to be unconstitutional. In contrast to this treatment of the symbolism, promotion of fascist, communist and other totalitarian ideology remains illegal. Those laws do not apply to the anthems of Russia, Belarus, Uzbekistan, Kazakhstan, and Tajikistan which used the melody with different lyrics.
In Spain, the situation is similar to that in Austria and Germany. Unlike the national anthem, most of the anthems of the autonomous communities have words. All are official. Three prominent examples are "Els Segadors" of Catalonia, "Eusko Abendaren Ereserkia" of the Basque Country, and "Os Pinos" of Galicia, all written and sung in the local languages.
The United Kingdom's national anthem is "God Save the Queen" but its constituent countries and Crown Dependencies also have their own regional anthems which have varying degrees of official recognition. England, Scotland, Wales, and Northern Ireland, each has a number of anthems which are played at occasions such as sports matches and official events. "God Save the Queen" is usually presumed to be, and often played as, the English regional anthem; but "Jerusalem", "I Vow To Thee, My Country" and "Land of Hope and Glory" are also sung. Scotland variously uses "Flower of Scotland", "Auld Lang Syne", and "Scotland the Brave" as its unofficial national anthems; while Wales has sung "Hen Wlad Fy Nhadau" since 1856 when it was written by father and son Evan and James James. The music and a Breton translation, "Bro Gozh ma Zadoù", were adopted by Brittany as its regional anthem; and there is also a Cornish version, "Bro Goth agan Tasow", sung alongside "Trelawney" as an unofficial Cornish anthem. In Wales, "Hen Wlad fy Nhadau" was sometimes accompanied by the hymn, "Guide Me, O thou Great Redeemer" (AKA "Bread of Heaven"), especially at rugby matches. Northern Ireland currently uses "God Save the Queen" but previously used "Danny Boy/Londonderry Air".
Although the United States has "The Star-Spangled Banner" as its official national anthem, its constituent states and territories also has their own regional anthem (referred to by most US states as a "state song"), along with Washington, DC. A notable exception is New Jersey, which is the only US state to be without a regional anthem.
Forty-nine of the United States' fifty constituent states have one or more regional anthems (usually referred to as a "state song" in US parlance), which are selected by each state legislature, and/or state governor, as a symbol (or emblem) of that particular US state.
Some US states have more than one official state song, and may refer to some of their official songs by other names; for example, Arkansas officially has two state songs, plus a state anthem, and a state historical song. Tennessee has the most state songs, with 9 official state songs and an official bicentennial rap.
Two individuals, Stephen Foster, and John Denver, have written or co-written two state songs. Foster's two state songs, "Old Folks at Home" (better known as "Swanee Ribber" or "Suwannee River"), adopted by Florida, and "My Old Kentucky Home" are among the best-known songs in the US On March 12, 2007, the Colorado Senate passed a resolution to make Denver's trademark 1972 hit "Rocky Mountain High" one of the state's two official state songs, sharing duties with its predecessor, "Where the Columbines Grow". On March 7, 2014, the West Virginia Legislature approved a resolution to make Denver's "Take Me Home, Country Roads" one of four official state songs of West Virginia. Governor Earl Ray Tomblin signed the resolution into law on March 8, 2014. Additionally, Woody Guthrie wrote or co-wrote two state folk songs – Roll On, Columbia, Roll On and Oklahoma Hills – but they have separate status from the official state songs of Washington and Oklahoma, respectively. Other well-known state songs include "Yankee Doodle", "You Are My Sunshine", "Rocky Top", and "Home on the Range"; a number of others are popular standards, including "Oklahoma" (from the Rodgers and Hammerstein musical), Hoagy Carmichael's "Georgia on My Mind", "Tennessee Waltz", "Missouri Waltz", and "On the Banks of the Wabash, Far Away". Many of the others are much less well-known, especially outside the state.
New Jersey has no official state song, while Virginia's previous state song, "Carry Me Back to Old Virginny", adopted in 1940, was later rescinded in 1997 due to its racist language by the Virginia General Assembly. In 2015, "Our Great Virginia" was made the new state song of Virginia.
In Yugoslavia, each of the country's constituent states (except for Bosnia and Herzegovina) had the right to have its own regional anthem, but only the Croatian one actually did so initially, later joined by the Slovene one on the brink of the breakup of Yugoslavia. Before 1989, Macedonia did not officially use a regional anthem, even though one was proclaimed during the World War II by ASNOM.
Larger entities also sometimes have anthems, in some cases known as 'international anthems'. Lullaby is the official anthem of UNICEF composed by Steve Barakatt. "The Internationale" is the organizational anthem of the socialist movement and the communist movement. Before March 1944, it was also the anthem of the Soviet Union and the Comintern. ASEAN Way is the official anthem of ASEAN. The tune of the "Ode to Joy" from Beethoven's Symphony No. 9 is the official anthem of the European Union and of the Council of Europe. Let's All Unite and Celebrate is the official anthem of the African Union ("Let Us All Unite and Celebrate Together").
The Olympic Movement also has its own organizational anthem. Esperanto speakers at meetings often use the song "La Espero" as their linguistic anthem. The first South Asian Anthem by poet-diplomat Abhay K may inspire SAARC to come up with an official SAARC Anthem.
"Ireland's Call" was commissioned as the sporting anthem of both the Ireland national rugby union team and the Ireland national rugby league team, which are composed of players from both jurisdictions on the island of Ireland, in response to dissatisfaction among Northern Ireland unionists with the use of the Irish national anthem. "Ireland's Call" has since been used by some other all-island bodies.
An international anthem also unifies a group of organizations sharing the same appellation such as the International Anthem of the Royal Golf Clubs composed by Steve Barakatt. Same applies to the European Broadcasting Union: the prelude of Te Deum in D Major by Marc-Antoine Charpentier is played before each official Eurovision and Euroradio broadcast. The prelude's first bars are heavily associated with the Eurovision Song Contest.
Various artists have created "Earth Anthems" for the entire planet, typically extolling the ideas of planetary consciousness. Though UNESCO have praised the idea of a global anthem, the UN has never adopted an official song.
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