Aimé Fernand David Césaire (//; French: [sezɛʁ]; 26 June 1913 – 17 April 2008) was a Francophone and French poet, author and politician from Martinique. He was "one of the founders of the négritude movement in Francophone literature". His works included Une Tempête, a response to Shakespeare's play The Tempest, and Discours sur le colonialisme (Discourse on Colonialism), an essay describing the strife between the colonizers and the colonized. His works have been translated into many languages.
Aimé Fernand David Césaire
Aimé Césaire in 2003
Aimé Fernand David Césaire
26 June 1913
|Died||17 April 2008 (aged 94)|
|Alma mater||École Normale Supérieure, University of Paris|
|Known for||Poet, politician|
|Political party||Parti Progressiste Martiniquais|
Student, educator and poetEdit
Césaire was born in Basse-Pointe, Martinique, in 1913. His father was a tax inspector and his mother was a dressmaker. He was a lower class citizen but still learned to read and write. His family moved to the capital of Martinique, Fort-de-France, in order for Cesaire to attend the only secondary school in Martinique, Lycée Schoelcher. He considered himself of Igbo descent from Nigeria, and considered his first name Aimé a retention of an Igbo name; though the name is of French origin, ultimately from the Old French word amée, meaning beloved, its pronunciation is similar to the Igbo eme, which forms the basis for many Igbo given names. He traveled to Paris to attend the Lycée Louis-le-Grand on an educational scholarship. In Paris, Césaire passed the entrance exam for the École Normale Supérieure in 1935 and created the literary review L'Étudiant Noir (The Black Student) with Léopold Sédar Senghor and Léon Damas. Upon returning home to Martinique in 1936, Césaire began work on his long poem Cahier d'un retour au pays natal (Notebook of a Return to the Native Land), a vivid and powerful depiction of the ambiguities of Caribbean life and culture in the New World.
Césaire married fellow Martinican student Suzanne Roussi in 1937. Together they moved back to Martinique in 1939 with their young son. Césaire became a teacher at the Lycée Schoelcher in Fort-de-France, where he taught Frantz Fanon, becoming a great influence for Fanon as both a mentor and contemporary. He also served as an inspiration for, but did not teach, writer Édouard Glissant.
World War IIEdit
The years of World War II were ones of great intellectual activity for the Césaires. In 1941, Aimé Césaire and Suzanne Roussi founded the literary review Tropiques, with the help of other Martinican intellectuals such as René Ménil and Aristide Maugée, in order to challenge the cultural status quo and alienation that characterized Martinican identity at the time. Césaire's many run-ins with censorship did not deter him, however, from being an outspoken defendant of Martinican identity. He also became close to French surrealist poet André Breton, who spent time in Martinique during the war. (The two had met in 1940, and Breton later would champion Cesaire's work.)
In 1947, his book-length poem Cahier d'un retour au pays natal, which had first appeared in the Parisian periodical Volontés in 1939 after rejection by a French book publisher, was published. The book mixes poetry and prose to express Césaire's thoughts on the cultural identity of black Africans in a colonial setting. Breton contributed a laudatory introduction to this 1947 edition, saying that the "poem is nothing less than the greatest lyrical monument of our times."
In 1945, with the support of the French Communist Party (PCF), Césaire was elected mayor of Fort-de-France and deputy to the French National Assembly for Martinique. He was one of the principal drafters of the 1946 law on departmentalizing former colonies, a role for which pro-independence politicians have often criticized him.
Like many left-wing intellectuals in 1930s and 1940s France, Césaire looked toward the Soviet Union as a source of progress, virtue, and human rights. Césaire later grew disillusioned with Communism, after the Soviet Union's 1956 suppression of the Hungarian revolution. Aimé Césaire announced his resignation from the PCF in a text entitled Lettre à Maurice Thorez (Letter to Maurice Thorez). In 1958 he founded the Parti Progressiste Martiniquais.
His writings during this period reflect his passion for civic and social engagement. He wrote Discours sur le colonialisme (Discourse on Colonialism), a denunciation of European colonial racism, decadence, and hypocrisy that was republished in the French review Présence Africaine in 1955 (English translation 1957). In 1960, he published Toussaint Louverture, based on the life of the Haitian revolutionary. In 1969, he published the first version of Une Tempête, a radical adaptation of Shakespeare's play The Tempest for a black audience.
He served as President of the Regional Council of Martinique from 1983 to 1988. He retired from politics in 2001.
In 2006, he refused to meet the leader of the Union for a Popular Movement (UMP), Nicolas Sarkozy, a probable contender at the time for the 2007 presidential election, because the UMP had voted for the 2005 French law on colonialism. This law required teachers and textbooks to "acknowledge and recognize in particular the positive role of the French presence abroad, especially in North Africa, a law considered by many as a eulogy to colonialism and French actions during the Algerian War. President Jacques Chirac finally had the controversial law repealed.
Césaire was accorded the honor of a state funeral, held at the Stade de Dillon in Fort-de-France on 20 April. French President Nicolas Sarkozy was present but did not make a speech. Pierre Aliker, who served for many years as deputy mayor under Césaire, gave the funeral oration.
Martinique's airport at Le Lamentin was renamed Martinique Aimé Césaire International Airport on 15 January 2007. A national commemoration ceremony was held on 6 April 2011, as a plaque in Césaire's name was inaugurated in the Panthéon in Paris.
Each year links to its corresponding "[year] in poetry" article for poetry, or "[year] in literature" article for other works:
- 1939: Cahier d'un retour au pays natal, Paris: Volontés, OCLC 213466273.
- 1946: Les armes miraculeuses, Paris: Gallimard, OCLC 248258485.
- 1947: Cahier d'un retour au pays natal, Paris: Bordas, OCLC 369684638.
- 1948: Soleil cou-coupé, Paris: K, OCLC 4325153.
- 1950: Corps perdu, Paris: Fragrance, OCLC 245836847.
- 1960: Ferrements, Paris: Editions du Seuil, OCLC 59034113.
- 1961: Cadastre, Paris: Editions du Seuil, OCLC 252242086.
- 1982: Moi, laminaire, Paris: Editions du Seuil, ISBN 978-2-02-006268-8.
- 1994: Comme un malentendu de salut ..., Paris: Editions du Seuil, ISBN 2-02-021232-3
- 1958: Et les Chiens se taisaient, tragédie: arrangement théâtral. Paris: Présence Africaine; reprint: 1997.
- 1963: La Tragédie du roi Christophe. Paris: Présence Africaine; reprint: 1993; The Tragedy of King Christophe, New York: Grove, 1969.
- 1969: Une Tempête, adapted from The Tempest by William Shakespeare: adaptation pour un théâtre nègre. Paris: Seuil; reprint: 1997; A Tempest, New York: Ubu repertory, 1986.
- 1966: Une Saison au Congo. Paris: Seuil; reprint: 2001; A Season in the Congo, New York, 1968 (a play about Patrice Lumumba).
- "Poésie et connaissance", Tropiques (12): 158–70, January 1945.
- Discours sur le colonialisme, Paris: Présence Africaine, 1955, OCLC 8230845.
- Lettre à Maurice Thorez, Paris: Présence Africaine, 24 October 1956.
- Toussaint Louverture: La Révolution française et le problème colonial, Paris: Club français du livre, 1960, OCLC 263448333.
Discourse on Colonialism-
Césaire’s "Discourse on Colonialism" challenges the narrative of the colonizer and the colonized. This text criticizes the hypocrisy of justifying colonization with the equation “Christianity=civilized, paganism=savagery” (2) comparing white colonizers to “savages” (3). Césaire writes that “no one colonizes innocently, that no one colonizes with impunity either” concluding that “a nation which colonizes, that a civilization which justifies colonization - and therefore force - is already a sick civilization” (4). He condemns the colonizers, saying that though the men may not be inherently bad, the practice of colonization ruins them (2).
Césaire continues to deconstruct the colonizer, and ultimately concludes that by colonizing those white men often lose touch with who they were, and become brutalized into hidden instincts that result in the rape, torture, and race hatred that they put onto the people they colonize (2). He also examines the effects colonialism has on the colonized, stating that “colonization = ‘thing-ification’” (6), where because the colonizers are able to “other” the colonized, they can justify the means by which they colonize.
The text also continuously references Nazism, blaming the barbarism of colonialism and how whitewashed and accepted the tradition, for Hitler’s rise to power. He says that Hitler lives within and is the demon of “the very distinguished, very humanistic, very Christian bourgeois of the twentieth century.(3)
Césaire originally wrote his text in French in 1950, but later worked with Joan Pinkham to translate it to English. The translated version was published in 1972 (1).
- At the time, the ENS was part of the University of Paris according to the decree of 10 November 1903.
- Ben A. Heller "Césaire, Aimé", in Daniel Balderston et al. (eds) Encyclopedia of Latin American and Caribbean Literature, 1900-2003, London: Routledge, pp. 128-30, 128.
- Micklin, Anna T. "Aime Cesaire". The Black Past: Remembered and Reclaimed. Retrieved 12 December 2018.
- Azuonye, Chukwuma (1990). "Igbo Names in the Nominal Roll of Amelié, An Early 19th Century Slave Ship from Martinique: Reconstructions, Interpretations and Inferences". footnote: University of Massachusetts Boston. p. 1. Retrieved 2015-03-26.
- Brossard, Lise (2014). "Que retenir de la revue Tropiques?". Journée d’étude du CRILLASH. 52: 89–91 – via Cairn.info.
- Auster, Paul (ed.), The Random House Book of Twentieth-Century French Poetry: with Translations by American and British Poets, New York: Random House, 1982. ISBN 0-394-52197-8
- "Aimé Césaire", in Donald E. Herdeck (ed.), Caribbean Writers: A Bio-Bibliographical-Critical Encyclopedia, Washington, DC: Three Continents Press, 1979, p. 324.
- "Commentary." Notebook of a Return to the Native Land (Middleton, CT: Wesleyan University Press, 2001), p. 53.
- "A Great Black Poet." Notebook of a Return to the Native Land (Middleton, CT: Wesleyan University Press, 2001), p. xiii.
- "Caribbean poet Cesaire dies at 94". BBC. 2008-04-17. Archived from the original on February 18, 2009. Retrieved 2008-04-17.
- "Décret du 16 mars 2011 décidant d'un hommage de la Nation à Aimé Césaire au Panthéon", JORF No. 64, 17 mars 2011, p. 4839, texte No. 37, NOR MCCB1105232D, sur Légifrance.
- "Lettre à Maurice Thorez". Collectif: Les Mots Sont Importants. 2008-04-18. Retrieved 2015-01-27.
- Césaire, Aimé (1972). "Discourse on Colonialism" (PDF). Retrieved 2018-12-11.
- Césaire, Aimé (1957), Letter to Maurice Thorez, Paris: Présence Africaine, p. 7.
- Césaire, Aimé. Notebook of a Return to the Native Land. Trans./eds Clayton Eshleman and Annete Smith, with an introduction by André Breton. Middletown, CT: Wesleyan University Press, 2001.
- Christian Filostrat, "La Négritude et la 'Conscience raciale et révolutionaire sociale' d'Aimé Césaire". Présence Francophone, No 21, Automne 1980, pp. 119–130.
- Joubert, Jean-Louis. "Césaire, Aimé." In Dictionnaire encyclopédique de la littérature française. Paris: Robert Laffont, 1999.
- Malela, Buata, "Le rebelle ou la quête de la liberté chez Aimé Césaire", Revue Frontenac Review, 16-17, Queen's University, Kingston (Ontario), 2003, pp. 125–148.
- Malela, Buata, "Les enjeux de la figuration de Lumumba. Débat postcolonial et discours en contrepoint chez Césaire et Sartre", Mouvements, n° 51, 2007/3, pp. 130–141.
- Malela, Buata B., Les écrivains afro-antillais à Paris (1920–1960). Stratégies et postures identitaires. Paris, Karthala, coll. Lettres du Sud, 2008.
- Malela, Buata B., Aimé Césaire. Le fil et la trame: critique et figuration de la colonialité du pouvoir. Paris, Anibwe, 2009.
- Ojo-Ade, Femi, Aimé Césaire's African Theater: Of poets, prophets and politicians, Africa World Press, Inc., 2010.
|Wikiquote has quotations related to: Aimé Césaire|
- Aime Cesaire, biography, by Brooke Ritz, Postcolonial Studies website, English Department, Emory University, 1999.
- Aimé Césaire, bibliography, biography, and links (in French), "île en île", City University of New York, 1998-2004.
- Petri Liukkonen. "Aimé Césaire". Books and Writers
- Khalid Chraibi, an interview with Aimé Césaire, (in French) on occasion of the Paris première of "La Tragédie du Roi Christophe" in 1965.
- Official tribute site to Aimé Césaire.
- "Out of Defeat: Aimé Césaire's Miraculous Words". Tribute by Colin Dayan.
- Aime Cesaire, 1913-2008: Remembering the Life and Legacy - video report by Democracy Now!.
- Aimé Césaire, by Mabogo Percy More, May 2008.
- L'Etudiant Noir, Journal Mensuel de l'Association des Etudiants Martiniquais en France, PREMIERE ANNEE N. 3 MAI-JUN 1935,
- Aimé Césaire et l'introduction de la notion "négritude"